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Edzor Talez turns disappointment, betrayal and self-doubt into a declaration of independence on his new single “On Me.”
At The Lost Cat, Kiz Kaprice wasn't just celebrating another chapter. He was showing what happens when an artist learns to stand fully in his own name.
Twenty-five years after 9/11, the attacks remain one of the defining moments of modern history. But the deeper question is what happened afterward: the wars, surveillance state, erosion of privacy and expansion of government power that reshaped the world in the name of keeping us safe.
Lil Durk has been acquitted of all charges in his murder-for-hire trial. But after years of loss, revenge, fame and incarceration, the bigger question is whether this verdict gives him a chance to finally leave the war behind.
Three African artists from Manchester just stepped onto one of Britain's biggest stages. BMG brought their Afro-fusion sound to The Voice UK, three chairs turned, and a journey years in the making reached a whole new audience.
Lil Durk's murder-for-hire trial raises a question bigger than the courtroom: when does a rapper leave the streets behind, and what happens when the life that made you who you are threatens to destroy everything you've built?
The Lindsay Clancy trial ended without a verdict, but the questions it raised are far from over. When does severe mental illness change criminal responsibility, and when does accountability still have to prevail?
Niino has officially released his brand-new EP, BLEET — a seven-track body of work that blends introspective storytelling, sharp lyricism and the raw realism that's become synonymous with his music.
Spotlight0161 has taken a collective of Manchester's independent artists to Paris, opening doors to international audiences and creating a new model for grassroots artist development.
Manchester-based artist Kingxton returns with BOGA From The City — a six-track EP exploring identity, ambition and culture across Ghana and the UK, ahead of a headline show at Band on the Wall.
Niino's "Back Page" reads like a street record, but underneath it's a character study about survival, pressure and the cost of running out of options.
James Blake says no part of the music industry is left untouched by manipulation. For independent artists, that broken trust might just be the opening they've been waiting for.